Search results for "Crime fiction"

showing 9 items of 9 documents

Le détective, entre intime et société

2019

International audience

[SHS.LITT] Humanities and Social Sciences/LiteratureLittérature policière[SHS.LITT]Humanities and Social Sciences/LiteratureCrime fictionserialityIntertextualityIntertextualitégenres littérairesliterary genressérialitéComputingMilieux_MISCELLANEOUS
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From whodunnit to whydunnit : the transformation of the traditional detective story into a modern crime novel

2008

crime fictioncrime genredetective storiesThe lake of darknessrikoskirjallisuusChristie AgathaThe mysterious affair at Styleshistory of literatureliterary researchRendell Ruth
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“Into the city, deep under the city”: Lauren Beukes’s Zoo City, a hardboiled novel?

2013

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureCrime fictionUrban AfricaSpeculative fictionCities[ SHS.LITT ] Humanities and Social Sciences/LiteratureGenreComputingMilieux_MISCELLANEOUS
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From Mobile Crimes to Crimes of Mobility

2020

Piipponen, Mäntymäki and Rodi-Risberg suggest that many contemporary crime narratives across the globe host a heightened interest in diverse and ambiguous mobilities, border crossings and borderlands. They propose that such mobilities and crossings reflect on recent sociocultural developments on local and global levels and communicate specific geopolitical anxieties. They position their own mobilities research perspective within existing crime fiction scholarship, especially within the so-called transnational and spatial turns. Introducing some key observations of mobilities research, they suggest that mobility can be considered both as an object of study in its own right and a critical len…

rajanylityksetMobilitiesgenrehybriditsosiokulttuuriset tekijätGlobegeopolitiikkaCriminologyglobalisationmobilities researchkansainvälinen liikkuvuusGlobalizationrikollisuusPolitical sciencemedicineTransnationalismtransnationaalisuusNarrativeSociocultural evolutioncrime fiction scholarshipkansainvälinen rikollisuustransnationalismgenre hybridisationObject (philosophy)mobilityScholarshipmedicine.anatomical_structureliikkuvuusrikoskirjallisuus
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Mapping futuristic South African literature: the intersection between history, crime fiction and the future in Masande Ntshanga’s Triangulum (2019)

2023

[SHS.LITT] Humanities and Social Sciences/LiteratureSouth Africacrime fictionscience fictionmysteryhistory
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« LITTERATUR och LAG » : Skandinavisk kultur och litteratur i ett internationellt och tvärvetenskapligt perspektiv

2014

Raksti no Starptautiskās Skandināvistikas studiju asociācijas (IASS) 29. zinātniskās konferences Rīgā un Daugavpilī 2012.

Literary historiographyHistorical Crime NovelWilliam Heinesen’s Novel "The Good Hope"Swedish literary criticismPsychology of crimeRhetoric of prison literatureHenri NathansenDag Solstad's "Novel 11 Book 18"Greek TragedyDetective storiesCrime fictionGenre normStieg LarssonLaw and literature:HUMANITIES and RELIGION::Languages and linguistics [Research Subject Categories]Swedish Detective Literature in LatviaMartin KochHenning Mankell’s "The Dogs of Riga"Female writerKerstin Ekman’s “The Practice of Murder”
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Polar Bear in 'Fortitude'. Affective Aesthetics and Politics of Climate Change

2021

In the first season of the television Eco Noir crime series “Fortitude” (2015) the polar bear appears as a sticky object that embodies an ambiguous affective charge as an icon of global warming. This article discusses the ways in which the polar bear evokes viewer affect in the series through two discourses. The first one relates to violence, essentially present in crime narratives, and how the human and nonhuman animal are positioned in relation to global warming, violence and each other. It raises questions of place and belonging in a local and global context and examines how the polar bear is constructed in terms of stranger danger and victimization in relation to human animals and the t…

Affect theoryaffektiivisuusHigher consciousnessväkivaltaAgency (philosophy)Context (language use)Representation (arts)Environmental scienceilmastopolitiikkatunteetjääkarhuvaikuttaminenEcocriticismtelevisiosarjatilmastoNarrativeSociologyGlobal warmingekokritiikkiOso polarNovela negrarikossarjatAfectoilmastonmuutoksetluontosuhdeObject (philosophy)dystopiatPolar bearAffectCrime fictionympäristövaikutuksetLiteratureAestheticsFortitudeCalentamiento globalLiteraturaMedio ambienteihminen-eläinsuhderikoskirjallisuuslämpeneminenEcozon@: European Journal of Literature, Culture and Environment
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Les topologies imaginaires de Lauren Beukes dans Moxyland (2008) et The Shining Girls (2013)

2019

International audience; This article examines two novels published by South African writer Lauren Beukes. More specifically, it explores the way in which the two cities in which the novels are set blur a number of boundaries, thus creating paradoxical, and intermedial, topologies.

Science fiction[SHS.LITT] Humanities and Social Sciences/LiteratureSouth AfricaCrime fiction[SHS.LITT]Humanities and Social Sciences/LiteratureLittérature anglophone postcolonialeRoman policierIntermedialityIntermédialitéComputingMilieux_MISCELLANEOUSLauren BeukesDystopia
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“Italian American Crime Fiction from the 1890s to the 1930s.”

2000

Multi-ethnic literature of the United States crime fiction American literatureSettore L-LIN/11 - Lingue E Letterature Anglo-Americane
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